| # | Name | Comments |
|---|
| 501 | Anonymous | |
| 502 | Nayelli Arley | Save the Museum!!! |
| 503 | Cynthia Martínez | |
| 504 | Benjamin Real | |
| 505 | sabrina | |
| 506 | David Ledger | Maybe my interest is because I used to work on embedded typesetter software at Linotype, but Type is a fascinating subject. |
| 507 | Carlos Alcaide | |
| 508 | John A. Lane | These materials are of the utmost historical importance and most are unique. They must remain accessible for researchers. If the collections are split up, a great deal of their historical value will be lost: in the Stephenson Blake collection, for example, there are inventories linking types in the type specimen books to sets of matrices in the matrix safes. If the specimens were to go the V & A and the matrices to the Science Museum, it would be almost impossible to make use of these inventories. |
| 509 | kuayis | |
| 510 | Leon Badouin | No me gustria que un lugar tan importante parala ctura grafica dejara de existir como lei en un blog "los museos son la memoria de la humanidad y una llama de sabiduria, imaginación e inspiración" |
| 511 | Rodrigo silva | |
| 512 | Manuel Sesma | Sólo el futurismo fascista abogaba por la quema de los museos. |
| 513 | John Williamson | The fact that this museum contains so much detail about such a history shaping subject must be reason enough for it’s continuing existence. |
| 514 | Anonymous | You wont get another
chance to see these
printing skills.
These skills should
be shown or taught
to people coming into
the printing industry |
| 515 | John Rose | As an ex-Comp I can only support this petition. Sadly, I don't hold out much hope - with the constant decimation of our heritage. Perhaps the Trustees(sic) of the Type Museum will see sense? |
| 516 | Pol Guàrdia | |
| 517 | eva paz | estos lugares son de los que realmente valen la pena preservar |
| 518 | Stuart Hood | This unique museum must be saved! |
| 519 | Barney Phillips | This is an important piece of heritage - we read SOMETHING everyday, what would we do without type? So few people REALLY understand its beauty! |
| 520 | Samuel Alarcón | |
| 521 | csr | I love type! |
| 522 | Abraham Zavala | Signed for the culture!!! |
| 523 | Lorena Hernandez | |
| 524 | Adriana Solis | |
| 525 | P. J. Bush | |
| 526 | Paul McNamee | |
| 527 | Jason Eastwood | Please do not allow this unique collection to be dispursed and diluted and preserve the last of our endangered typeface technicians. |
| 528 | josep m. mestre laporta | against the type’s killers! |
| 529 | Simon Granville-Jones | |
| 530 | betty minter | |
| 531 | Peter Blunt | |
| 532 | Martin Aggett | Save our fonts |
| 533 | Martin Aggett | Save our fonts |
| 534 | Catherine | |
| 535 | R Elson | As an ex-compositor it is important to keep a museum of this kind operational for the future. |
| 536 | Betsy Romero | i´m a student of Design from Mexico, please do not erradicate this museum.
all students will be missing a pretty good source for our education as a pro and as a human being which deserve to grow up and a nonstopping learn . |
| 537 | Lígia Buarque | |
| 538 | Anonymous | |
| 539 | Anonymous | |
| 540 | Amy Cooper | |
| 541 | Miranda Snow | |
| 542 | Anonymous | |
| 543 | Francesc Rojas-Puente | |
| 544 | Aurora Viciedo | |
| 545 | Anonymous | |
| 546 | Cristian Pasciani | Don´t close the Museum!! |
| 547 | Alan Miller | |
| 548 | John Hepner | This is too valuable and hisoric a collection to be broken up and dispersed |
| 549 | Anonymous | Hola, yo soy diseñadora, vivo en la Ciudad de México, pero quiero comentar que para nuestro oficio es muy importante preservar este tipo de documentación informativo y gráfico. |
| 550 | diego mier y terán | |
