| # | Name | Position, Company | Comments |
|---|
| 3351 | james ewart | director | total capitulation by the BBc paves the way for the end of the license fee altogether as the Bc prepares for commercial funding so it can survive as an advertising funded channel.
the end of public service broadcasting will see and end to the BBC as we know it.
I've got to go and collect my next fare for Heathrow now,,,whilst RDF continue to cheat and connive programmes that purport to be factual. |
| 3352 | William Ennals | freelance editor | |
| 3353 | Cynthia Close | Executive Director, Documentary Educational Resources | Storyville is the gold standard, we can't let it die... |
| 3354 | Gina Twyble | Producer, Luminous Films Pty Ltd | |
| 3355 | Anonymous | Anonymous | |
| 3356 | Anonymous | Anonymous | This is such an important series, keep it alive, provide the funding that is needed to continue on. |
| 3357 | Georgia Wallace-Crabbe | Producer Film Projects | Storyville is an essential strand for Documentaries internationally and a flagship for those of us in Australia without such a strand and brief. |
| 3358 | Daniel Fallshaw | Director | Storyville is a jewel in the crown for documentary film makers. It would be a shame to see it be reduced to a shell of itself. I'm Australian and we lack anything like Storyville. |
| 3359 | Jeff Werner | President, Rockingstone Inc. | |
| 3360 | Harald Friedl | Film Director | |
| 3361 | SERVN SCHREIBER | CINETEVE | |
| 3362 | Mary Lowe | Arts in Education Coordinator Isis Arts | |
| 3363 | Anonymous | Anonymous | |
| 3364 | eva mulvad | director, denmark | |
| 3365 | Alexandra Benedicte Collin | Producer, Barok Film | |
| 3366 | Kathy Loizou | Director Showcomotion Young People's Film Festival & Showcomotion Children's Media Conference | |
| 3367 | Thomas Frantzén | Producer | At this time in history I believe it is very important to develop possibilities, with as few ties attached as possible, to tell creative stories reflecting the development of our planet. I think it is crucial to air as many different views as possible. |
| 3368 | frederik jan depickere | documentary director | |
| 3369 | Louise Kjaer | Managing Director | |
| 3370 | Ernst Hunsicker | Antilope Filmproduktion | |
| 3371 | Ana Tovey | Freelance | |
| 3372 | Lindsay Duncanson | self employed | documentary is an especial and creative part of news and story telling and one of the reasons I am happy to pay my tv license. there must surely be more frivolous programming that you could cut |
| 3373 | Charlotte Cornic | Production assistant | |
| 3374 | Anonymous | Anonymous | "Keep the windows of opportunity open for documentary making" |
| 3375 | John Walker | Producer, Director | STORYVILLE SHOULD SURVIVE INTACT. This is a very slippery slope for a public broadcaster that has demonstrated a commitment to an international community hungry for quality programs. |
| 3376 | John Arden; Margaretta D'Arcy | playwright; film-maker | |
| 3377 | Mika Ronkainen | director, Klaffi Productions | |
| 3378 | CHRISTOPHER WALKER | director | |
| 3379 | Anonymous | Anonymous | as a thinking citizen en critical tv viewer, the loss of Storyville in it's present form would be a great loss - the parts being more than the sum. Television programs, whether in the UK, the US or the Netherlands, are versions of the same format. There is nothing left to experience or to surprise the viewer. We need original and thought provoking programs on the TV. Please rething any decision to cut funds for Storyville. |
| 3380 | Natalie Gravenor | Programmer, EYZ Media | |
| 3381 | Larry Y. Higgs | President - TPI | Somethings are more important than ratings and share points. Documentaries incite the consciousness of it's viewers and provide the moral compass for a nation. Storyville must survive. |
| 3382 | ARNAL | ARSENAL PRODUCTIONS | |
| 3383 | Anne Wivel | Director, Barok Film | |
| 3384 | Sam Green | Director | |
| 3385 | Petra Seliskar | Petra Pan Film Production | even if I never have a chance to coproduce one of my documentaries for Storyville documentary should get more slots and not less to help people live a less instant life |
| 3386 | Anonymous | Anonymous | Cut the llight entertainment budget, not the fllagship documentary strand Storyville - license fee money should be used for this and other factual programming. The world needs Storyville to encourage intelligent debate - we need thinking, observing, provoking, celebrating, and creative solutions for our lives, Let Storyville continue to do this. Give it more money, not less. |
| 3387 | Saeed Taji Farouky | Director, Tourist With A Typewriter Ltd | |
| 3388 | Martin Harris | Partner, Filmmakers | |
| 3389 | Tomasz Pobog-Malinowski | Producer/Director | |
| 3390 | Eeva Nyyssonen | Student | |
| 3391 | crispin somerville | worker | |
| 3392 | Antony Meering | Freelance Sound Recordist | |
| 3393 | Stu Burns | Human | For the documentary about Arthur Kane and the NY Dolls alone, Storyville's freedom to make single documentaries, and to collaborate onn co-productions must be defended. The "New York Doll" documentary was/is one of the most compelling pieces of TV I've ever seen - it really should have gone on cinema release. |
| 3394 | Simon Brook | director | |
| 3395 | Tiffany Maberley | Recruitment Manager Axis Productions LTd | |
| 3396 | Eugene Quinn | freelance producer | |
| 3397 | Anonymous | Anonymous | |
| 3398 | Doug ZWick | Pres., Pop Twist Ent | The US has seen public television abdicate its role in ambitious programming on the theory that cable would take up the slack. The result is mediocre public television and predominantly sensationalist cable reality docs. Purely advert-driven programming will never produce the best results for the public. Please don't make the same mistake at the BBC. |
| 3399 | Fiona Reeve | Viewer | |
| 3400 | Ivo Zen | alva Film, director | |