| # | Name | Position, Company | Comments |
|---|
| 51 | Adrian Pegg | Freelance | |
| 52 | Mark Watson | Freelancer | |
| 53 | Michele Kimber | Freelance | |
| 54 | sasha Andrews | medical photographer NHS | Documentaries are essential for gaining a wider understanding of the world around us, all attempts to reduce funding must be resisted |
| 55 | Miriam Lyons | Director, Lyoness Films Ltd | |
| 56 | Catherine Allum | Assistant Producer, freelance | There should be more Storyville documentaries not less! |
| 57 | Rhona Clews | Documentary Researcher, Freelancer | Storyville is an inspiration for documentary makers and viewers worldwide, BBC please show your integrity by keeping the funding high on this essential programming |
| 58 | Tina Gharavi | Director, Bridge + Tunnel Productions.com | |
| 59 | Jenny Lindvall | Senior Media Assistant, BBC I&A | |
| 60 | Tom Jeffs | sound recordist | Don't let this happen. Not unless you enjoy watching a plethora of vacuuous series about nothing in particular shot on a Z1-E by a college graduate. |
| 61 | Simon McKeown | Series Producer, Freelance | Whoever decided to make this cut should be professionally ashamed. |
| 62 | Daisy Asquith | Director, Dandy Films | Storyville is the best thing on telly. |
| 63 | Titania Veda | Veda Films | Keep Storyville alive!!! |
| 64 | Karl Fabricius | Copywriter, Zaman; Writer/Producer, Sevencircle | The above put it all very well. Storyville's the only place where it's at within the BBC and arguably the UK. |
| 65 | Jeanie Finlay | Director, Freelance | Keep Storyville alive, it is vital to British documentary making. |
| 66 | Anonymous | Anonymous | Storyville is one of the few outlets for foreign narratives. We are already far too introspective in our commissioning and to reduce the number of opportunties for our talent film makers to tell stories outside their own borders is an outrage. |
| 67 | Colin Rogal | Lighting Cameraman | It's not how many watch, it's WHO watches. |
| 68 | Sue Thomas | Professor of New Media, De Montfort University | Storyville is a fantastic series. I watch it a great deal and enjoy its variety and its open-minded approach. It also offers excellent opportunities for new and up-and-coming UK documentary makers. Its budget should be increased not reduced! |
| 69 | Sophie Toumazis | tpr media consultants | This just can't be allowed to happen; it would simply be a disaster. Whatever the constraints on BBC bosses; however great the pressure is, Storyville must survive and flourish. The future of British (and international) documentary-making will be hugely influenced by this decision. |
| 70 | John Hunter | Freelance Writer | |
| 71 | Dr Lucy Robinson | Sussex University | |
| 72 | Nina Lowes | Freelance Assistant Producer | |
| 73 | Jeremy Williams | Producer/Director | |
| 74 | Orly Danon | Freelance | |
| 75 | Gavin Rees | Bournemouth Media School | |
| 76 | Hilary Oliver | Director, The Sound Company, ex BBC | |
| 77 | Robin Hessman | Director, Producer | Storyville is not only essential for UK residents, but for viewers around the world! The incredible ground-breaking, thought-provoking films that were Storyville co-productions and would never have existed without Storyville are proof of how indispensable it is. Cutting the budget would be a grave error, the effects of which would reverberate far beyond the imagination of a BBC bureaucrat. Storyville has been responsible for films that open people's eyes, change the way they think, and even cause them to act and influence the world. Please increase its budget! |
| 78 | Claire Morrison | Marketing Executive, Random House | |
| 79 | steven Gray | director of photography | |
| 80 | Mike Arnott | Freelance | |
| 81 | Charles Beckett | Literature Officer, Arts Council England | I'm sadly all too familiar with the cultural vandals who don't understand the vital difference temporary creative and financial freedom can make to the production of ground-breaking literature and art. Storyville has long been one of the only reasons to watch television, and one of the only strong justifications for the licence fee. For its breadth, depth, and technical excellence, it is unsurpassed as a documentary series. It deserves additional funding, not cuts. It would be a sad day in the Corporation's history were they to go ahead with this ill-advised policy. |
| 82 | Kate Ogborn | Producer, The Bureau | |
| 83 | Hope Dickson Leach | Independent | |
| 84 | Giorgia Lo Savio | Producer, Jinga Productions Ltd | |
| 85 | Anthony Holland | Freelance | |
| 86 | Sharron Ward | Director/Producer Katalyst Productions Ltd | Please please do NOT make budget cuts to Storyville it really is one of the stand out strands that makes the BBC world famous. |
| 87 | William Lorimer | Assistant Producer, Windfall Films | |
| 88 | Marianne Hougen-Moraga | Filmmaker | |
| 89 | Paul Dosaj | Editor/Producer | There's a real need for different voices to be heard from around the world and Storyville brings them to us. It would be sad not to listen to the outside world.............. |
| 90 | Melissa Herman | Development Officer, Save the Children | |
| 91 | Ana Matos | freelance | |
| 92 | Rajesh Thind | Director, OpenCircuit Ltd | Goebbels once said that when he heard the word 'culture' he reached for his gun. Will the Beeb really be daft enough to shoot themselves so self-destructively in the foot? |
| 93 | Ryan Bruce Levey | President, Vagrant Films Releasing | |
| 94 | Anton Califano | Director | Storyville needs to continue to grow not diminish! |
| 95 | Anonymous | Anonymous | Storyville is a very important documentary strand that demonstrates the BBC's commitment to serious programme making - which is why most people pay their licence fee. |
| 96 | Lisa Cazzato Vieyra | Native Voice Films | |
| 97 | Bimla Chall | Roto/prep Artist | |
| 98 | Anonymous | Anonymous | |
| 99 | Ashley Pegg | Director | |
| 100 | Tue Steen Müller | Documentary Consultant | |