| # | Name | Comments |
|---|
| 101 | Danny Strong | The directors version is amazing. It definitely needs to be seen. |
| 102 | Anonymous | |
| 103 | Beth Henley | SINCERELY,
BETH HENLEY |
| 104 | Alissa Carlton | |
| 105 | Catherine Haight | |
| 106 | Richard Curzon | The original creator's intentions ought to be honored. The DVD format allows both versions to be released, and as both would profit all concerned it can only be to the greater good. |
| 107 | Veronica Diaz | Absolutely!! He is a brilliant director, a brilliant story and I can't wait to see it!!!! |
| 108 | Anonymous | I want to see this film as it was originally intended to be seen by the DIRECTOR AND WRITER. I have little to no interest in seeing what some other crew member thinks I should see. I want to see the vision of the actual creative force behind the movie.
Let's face it, historically speaking, the majority of films that are re-released as the preferred edit of the director are received far better than the original versions.
Hell, just to cite a few examples, Blade Runner, Dances With Wolves, Miami Vice, Almost Famous, etc.
And, the market can easily support multiple versions of the same film. They can be packaged together (ala Dawn of the Dead with it's 4 disc ultimate edition that contains 3 different versions of the same film), or even separately (ala Exorcist the Beginning/Dominion: Prequel to the Exorcist). |
| 109 | Stacey Rose Fernandez | |
| 110 | NANCY serena | |
| 111 | Ellen Nordby | |
| 112 | Anonymous | |
| 113 | Kristi Reed | |
| 114 | Gavin Carlton | I want to see the director's cut!!! |
| 115 | Scott Ford | |
| 116 | sergio bruna | |
| 117 | Steve MacMillin | I'd love to see the Director's cut of The Plague. Always like to see the director/writer's original intent made available. |
| 118 | Amo Gulinello | |
| 119 | Sherry Herman | |
| 120 | Anonymous | |
| 121 | Pam | As a film buff, I enjoy seeing a director's cut of their films. I find them much more interesting. I also will buy that version if I I am choosing a dvd. |
| 122 | Patrick Kirst | |
| 123 | Ellen Bry | |
| 124 | Anonymous | Stop whoring stuff for the sake of the green and quite acting like you know what's best for the film. Give the people and Masonberg what is due and give them the film that is meant to be seen. |
| 125 | Sean Axmaker | |
| 126 | Rob Farley | Save Clive Barker's good name. I saw that crap version on Sci-Fi channel and felt bad for his reputation. Save Clive! |
| 127 | Kathleen Murphy | Please release this film. It is criminal to suppress it. |
| 128 | Alex Reed | |
| 129 | Richard T. Jameson | |
| 130 | Anonymous | |
| 131 | Knox Hughes | Release the damn thing - give the artist his integrity... |
| 132 | Jordana Capra | PLEASE release Hal Masonberg's cut -- it's the only one that makes any sense and has great artistic merit! |
| 133 | Darain Pritchard | Why would they not want to make more money on a better cut of an already decent movie. Us horror fans love to buy special editions, fill your pockets with our money, give us the directors cut. |
| 134 | Greg Naugher | This film is garbage, but had so much potenetial. I would love to see the original intent. |
| 135 | Daemeon Black | I personally feel this was wrong of the studio to do. This mere act of excluding those involved in the making of the movie and turning it over to corporate individuals to re-cut the movie and completely ruin the original intent of their efforts is criminal. Please do not let this kind of travesty happen again to ruin the hard work of the director and actors involved in the creation of their labor of love, the movies. |
| 136 | Chris Peterson | |
| 137 | hiroo nakano | it's not supposed to be happened. |
| 138 | Barry Smolin | It is always to everyone's benefit, including that of the studio, to allow the director's original vision to be seen. I implore Screen Gems to be true to its name and let Hal Masonberg's gem hit the screen as it was conceived and intended by the artist himself. |
| 139 | Anonymous | This is a prime example of Hollywood producers having absolutely no right to fuck with creative just because they can. Just do your job and let those who do what they do well alone. This movie started out so impressive - it was obvious that two separate mindsets worked on it, and a damn shame that it was ruined, because it was very impressive until the guns were added to the storyline. That imediately took away the scare factor. Come on, Screen Gems, I'd like to see the real film. Pretty please? |
| 140 | Richard Hole | Producers stop messing with the visions of the director. They obviously have no love for the film or genre. It's like when fat women wear leggins/lycra, they can't have looked in the mirror and say 'damn i look good'. no one wants to see it!! Leave it alone unless you're collaborating with the director. |
| 141 | Shawn Karmil | Way to fight for your vision Hal! |
| 142 | Marty Langford | |
| 143 | Anonymous | |
| 144 | Colin Clarke | |
| 145 | Vince Rotolo | Looks like a great film. Check out my podcast at www.bmoviecast.com |
| 146 | Amyra Bunyard | |
| 147 | paul beauchemin | This film has been butchered by the producers for quick profits. In doing so they have misrepresented the original screenplay and vision of the director.
Please honor the creative process that has given us so much beautiful cinema. |
| 148 | Sara Bell | |
| 149 | Sarah Laidler | |
| 150 | Anonymous | |