NYTimes: Open Letter/ Ken Johnson's recent articles

Signatures 1747 total

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1. 1451
   Name: Anonymous on Dec 3, 2012

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2. 1452
   Name: G. Rowan McIntyre on Dec 3, 2012

   Comments: One would think the New York Times could afford an art critic who wasn't determined to make a consistent fool of himself.

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3. 1453
   Name: Anthony Kim on Dec 3, 2012

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4. 1454
   Name: Alexis Bennett on Dec 3, 2012

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5. 1455
   Name: Anonymous on Dec 3, 2012

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6. 1456
   Name: Chris Buttimer on Dec 3, 2012

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7. 1457
   Name: Holly Ann Stovall on Dec 3, 2012

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8. 1458
   Name: Nathan Myers on Dec 3, 2012

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9. 1459
   Name: Maurine Crouch on Dec 3, 2012

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10. 1460
    Name: Anonymous on Dec 3, 2012

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11. 1461
    Name: Monique Gardner on Dec 3, 2012

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12. 1462
    Name: Alicia Diaz on Dec 3, 2012

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13. 1463
    Name: Joi on Dec 3, 2012

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14. 1464
    Name: Jae Merchant on Dec 3, 2012

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15. 1465
    Name: Anonymous on Dec 3, 2012

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16. 1466
    Name: Anonymous on Dec 3, 2012

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17. 1467
    Name: Scott Tsuchitani on Dec 3, 2012

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18. 1468
    Name: Jordan Redell on Dec 3, 2012

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19. 1469
    Name: Sheng Lor on Dec 3, 2012

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20. 1470
    Name: Jen Saunders on Dec 3, 2012

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21. 1471
    Name: Jacob Topp-Mugglestone on Dec 3, 2012

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22. 1472
    Name: Katrina Asbury on Dec 3, 2012

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23. 1473
    Name: Amadi Ozier on Dec 3, 2012

    Comments: Mr. Johnson has, at some points, completely distorted and manufactured the history of contemporary art in order to create a narrative the so obviously privileges white males over any other group of people (and for trite, flimsy reasons!), simply reinforcing many of the troubling hegemonic structures that govern our world--something that I never quite expected of the NYT.

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24. 1474
    Name: Senait Tesfai on Dec 3, 2012

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25. 1475
    Name: Anonymous on Dec 3, 2012

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26. 1476
    Name: Allison Smith on Dec 3, 2012

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27. 1477
    Name: Lindsay Budzynski on Dec 3, 2012

    Comments: It is not the job of female and minority artists to cater to a white male viewpoint. If you immediately eschew a work for not having to do with your own experience and instead value it by how closely it mimics your chosen aesthetic, you are not doing your job. You do not need to be female or black to appreciate a female or black viewpoint. It is lazy to reside within your familiar cocoon, only putting effort into art that is immediately accessible. What you’ve written is the critical equivalent of a child telling his parent that his reading homework is “too hard” when he really just wants to go read his comics instead. Try harder to be better.

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28. 1478
    Name: Katy Vestal on Dec 3, 2012

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29. 1479
    Name: Anonymous on Dec 3, 2012

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30. 1480
    Name: Gabriella Smith on Dec 3, 2012

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31. 1481
    Name: Kjersten on Dec 3, 2012

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32. 1482
    Name: Annie D on Dec 3, 2012

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33. 1483
    Name: Regina Dean on Dec 3, 2012

    Comments: Getting really tired of racism

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34. 1484
    Name: Anonymous on Dec 3, 2012

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35. 1485
    Name: Gabriela Bello on Dec 3, 2012

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36. 1486
    Name: Laurel Lynn Leake on Dec 3, 2012

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37. 1487
    Name: Lisa Guraya on Dec 3, 2012

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38. 1488
    Name: Michelle on Dec 3, 2012

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39. 1489
    Name: Adriana R. on Dec 3, 2012

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40. 1490
    Name: Ashley on Dec 3, 2012

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41. 1491
    Name: Amanda Wrigglesworth on Dec 3, 2012

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42. 1492
    Name: Anonymous Facebook user on Dec 3, 2012

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43. 1493
    Name: Destiny Washington on Dec 3, 2012

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44. 1494
    Name: Janice Dees on Dec 3, 2012

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45. 1495
    Name: Jonathan Hunt on Dec 3, 2012

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46. 1496
    Name: Kathleen Rasley on Dec 3, 2012

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47. 1497
    Name: Anonymous on Dec 3, 2012

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48. 1498
    Name: Ryan Thomas on Dec 3, 2012

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49. 1499
    Name: Jacky Ellis on Dec 3, 2012

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50. 1500
    Name: Kali Tal on Dec 3, 2012

    Comments: Ignorance is the only excuse for making uninformed pronouncements like Mr. Johnson's, and in an art critic for the NY Times ignorance at this level is unforgivable.

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