NYTimes: Open Letter/ Ken Johnson's recent articles

Signatures 1734 total

Page: « ‹ 1, ... 18, 19, 20, 21, 22, 23, 24, ... 35 › »

1. 1001
   Name: Felicity Scott on Nov 28, 2012

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2. 1002
   Name: Anonymous on Nov 28, 2012

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3. 1003
   Name: Rita Gonzalez, Associate Curator, Contemporary Art Department, Los Angeles County Museum Of Art on Nov 28, 2012

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4. 1004
   Name: Robert Lieber on Nov 28, 2012

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5. 1005
   Name: Maureen Connor on Nov 28, 2012

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6. 1006
   Name: Erica Redling on Nov 28, 2012

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7. 1007
   Name: Susana Gallardo on Nov 28, 2012

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8. 1008
   Name: Dorit Cypis on Nov 28, 2012

   Comments: Please let's have more nuanced discourse and less of a binary oppositional attitude when looking at art and artists. We do not need to perpetuate the hierarchy of the past.

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9. 1009
   Name: Anonymous on Nov 28, 2012

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10. 1010
    Name: Wendy Ewald on Nov 28, 2012

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11. 1011
    Name: Cole Robertson on Nov 28, 2012

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12. 1012
    Name: CAMILLE Z CHARLES on Nov 28, 2012

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13. 1013
    Name: Sally Mincher on Nov 28, 2012

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14. 1014
    Name: Valerie Piraino on Nov 28, 2012

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15. 1015
    Name: Amy Goldrich on Nov 28, 2012

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16. 1016
    Name: Walter Scott on Nov 28, 2012

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17. 1017
    Name: Caitlin Mei Lai Chan on Nov 28, 2012

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18. 1018
    Name: Anonymous on Nov 28, 2012

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19. 1019
    Name: Kassandra Derby on Nov 28, 2012

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20. 1020
    Name: Jim Mendiola on Nov 29, 2012

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21. 1021
    Name: Aylor Brown on Nov 29, 2012

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22. 1022
    Name: Simone Fujita on Nov 29, 2012

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23. 1023
    Name: John Chiara on Nov 29, 2012

    Comments: Assemblage is not an invention. Assemblage is a method of organization. Any discussion of the invention of assemblage would have to take place in an anthropological context. To use it in a contemporary art context is arresting indeed.

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24. 1024
    Name: Matt Martin on Nov 29, 2012

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25. 1025
    Name: J. Gary Hadad on Nov 29, 2012

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26. 1026
    Name: James Ford on Nov 29, 2012

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27. 1027
    Name: Anonymous on Nov 29, 2012

    Comments: While agreeing with all of the raised points, I don't believe that the NYTimes will change their editorial standards, so this feels like another windmill action, such as that is, here is my signature.

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28. 1028
    Name: Gina Martin on Nov 29, 2012

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29. 1029
    Name: Phoebe Bachman on Nov 29, 2012

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30. 1030
    Name: Stacey Leonard on Nov 29, 2012

    Comments: Clearly this individual has not read contemporary art historical critique, such as Linda Nochlin's "Why Are there No Great Women Artists". Anyone working as a professional in the art world is aware of current works on art historical revisionism

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31. 1031
    Name: Anonymous on Nov 29, 2012

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32. 1032
    Name: Carol Cheh on Nov 29, 2012

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33. 1033
    Name: Mishi Faruqee on Nov 29, 2012

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34. 1034
    Name: Kathryn Wakeman on Nov 29, 2012

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35. 1035
    Name: Tempestt Hazel on Nov 29, 2012

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36. 1036
    Name: Davarian L. Baldwin on Nov 29, 2012

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37. 1037
    Name: Anonymous on Nov 29, 2012

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38. 1038
    Name: Andrea Geyer on Nov 29, 2012

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39. 1039
    Name: James Smethurst on Nov 29, 2012

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40. 1040
    Name: Anonymous on Nov 29, 2012

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41. 1041
    Name: Lynette Cintron on Nov 29, 2012

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42. 1042
    Name: Tasha Hanna on Nov 29, 2012

    Comments: They have definitely identified a bias which i've noted the news media has long since abandoned any pretentions of a lack of it. Blatant and consistent bias smacks of a lack of professionalism better relegated to tabloid fodder. While it has become more and more difficult to separate important critical voices from malcontents this should be an obviously marked turn and a clear separation is in order. Thank you, ~Tasha Hanna

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43. 1043
    Name: Tiffany McFadden on Nov 29, 2012

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44. 1044
    Name: Nora Laos on Nov 29, 2012

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45. 1045
    Name: Carmen Landau on Nov 29, 2012

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46. 1046
    Name: Lucy on Nov 29, 2012

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47. 1047
    Name: Nicole Porter on Nov 29, 2012

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48. 1048
    Name: Fereshteh Toosi on Nov 29, 2012

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49. 1049
    Name: Pascha Schmidt on Nov 29, 2012

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50. 1050
    Name: Rodney McMillian on Nov 29, 2012

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